The Art Of Hudson River School

In olden period art, around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan Greece of around 1500 BCE.

In early Western medieval art interest in landscape disappears almost entirely, kept alive only in copies of Late Antique works such as the Utrecht Psalter; the last reworking of this source, in an early Gothic version, reduces the previously extensive landscapes to a few trees filling gaps in the composition, with no sense of overall space.

A revival of the interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Concuss or those in miller Fleur tapestries. The frescos of figures at work or play in front of a background of dense trees in the Palace of the Popes, Avignon are probably a unique survival of what was a common subject.

In the United States, the Hudson River School, prominent in the middle to late 19th century, is probably the best-known native development in landscape art. These painters created works of mammoth scale that attempted to capture the epic scope of the landscapes that inspired them.

The work of Thomas Cole, the school's generally acknowledged founder, has much in common with the philosophical ideals of European landscape paintings — a kind of secular faith in the religious benefits to be gained from the consideration of natural beauty.

Some of the later Hudson River School artists, such as Albert Bierstadt, created less encouraging works that placed a greater emphasis on the raw, even terrifying power of nature. The best examples of Canadian landscape art can be found in the works of the Group of Seven, prominent in the 1920s.

Although certainly less dominant in the period after World War I, many significant artists still painted landscapes in the wide variety of styles exemplified by Neil We liver, Alex Kate, Milton Avery, Peter Doig, Andrew Wyeth, David Hackney and Sidney Nolan.

Spring Morning in the Han Palace

China, Japan and Korea have a strong tradition in painting which is also highly attached to the art of script and printmaking.

Far east traditional painting is characterized by water based techniques, less realism, "elegant" and stylized subjects, graphical approach to depiction, the importance of white space (or negative space) and a preference for landscape as a subject. Beyond ink and color on silk or paper scrolls, gold on gloss was also a common medium in painted East Asian artwork.

Although silk is somewhat so expensive medium to paint upon in the past, the invention of paper during the 1st century AD by the Han court eunuch Cain Lun provided not only a cheap and widespread medium for writing, but also a cheap and widespread medium for painting.

The earliest examples of Chinese painted artwork date to the Warring States Period (481 - 221 BC), with paintings on silk or tomb murals on rock, brick, or stone.
They were often in simplistic stylized format and in more-or-less elementary geometric patterns. They often depicted mythological creatures, domestic scenes, labor scenes, or palatial scenes filled with officials at court.

Artwork during this period and the subsequent Qin Dynasty (221 - 207 BC) and Han Dynasty (202 BC - 220 AD) was made not as a means in and of itself or for higher personal expression.

Rather artwork was created to symbolize and honor funerary rights, representations of mythological deities or spirits of ancestors, etc. Paintings on silk of court officials and domestic scenes could be found during the Han Dynasty, along with scenes of men hunting on horseback or partaking in military parade.

There was also painting on three dimensional works of art on figurines and statues, such as the original-painted colors covering the soldier and horse statues of the Terracotta Army.

During the social and cultural climate of the ancient Eastern Jin Dynasty (316 - 420 AD) based at Nanjing in the south, painting became one of the official pastimes of Confucian-taught bureaucratic officials and aristocrats.

Painting became a common form of artistic self-expression, and during this period painters at court or amongst elite social circuits were judged and ranked by their peers.

The Art of Chic ester canal’s

Turner's talent was recognized early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterized by a chromatic palette and broadly applied atmospheric washes of paint.
For example, Chic ester canal’s is one the best art making paintings in the world.

Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840).

Turner's major venture into printmaking was the Libber Studio rum (Book of Studies), a set of seventy prints that the artist worked on from 1806 to 1819. The Libber Studio rum was an expression of his intentions for landscape art.

Loosely based on Claude Lorrain's Libber Veritatis (Book of Truth), the plates were meant to be widely disseminated, and categorized the genre into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral.

His printmaking was a major part of his output, and a whole museum is devoted to it, the Turner Museum in Sarasota, Florida, founded in 1974 by Douglass Montrose-Graeme to house his collection of Turner prints.

Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand, but its susceptibility and vulgarity amid the 'sublime' nature of the world on the other hand.

'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God–a theme that artists and poets were exploring in this period.

The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.

Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena.

The Techniqes of Impressionist

Prior to the Impressionists, other painters, notably such 17th-century Dutch painters as Jan Steen, had focused on common subjects, but their approaches to composition were traditional.

They arranged their compositions in such a way that the main subject commanded the viewer's attention.

The Impressionists relaxed the boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot, a part of a larger reality captured as if by chance.

Photography was gaining popularity, and as cameras became more portable, photographs became more candid.

Photography stimulated Impressionists to capture the moment, not only in the fleeting lights of a landscape, but in the day-to-day lives of people.

The rise of the impressionist movement can be seen in part as a reaction by artists to the newly established medium of photography.

In spite of this, photography actually inspired artists to pursue other means of artistic expression, and rather than competing with photography to emulate reality, artists focused on the one thing they could inevitably do better than the photograph – by further developing into an art form its very subjectivity in the conception of the image, the very subjectivity that photography eliminated".

This allowed artists to subjectively describe what they saw with their "tacit imperatives of taste and conscience".

Photography encouraged painters to exploit aspects of the painting medium, like color, which photography then lacked; "the Impressionists were the first to knowingly offer a subjective alternative to the photograph.

Another major influence was Japanese art prints which had originally come into France as wrapping paper for imported goods.

The art of these prints contributed significantly to the "snapshot" angles and unconventional compositions which would become characteristic of the movement.

The White House at Night

The White House at Night shows a house at twilight with a prominent star surrounded by a yellow halo in the sky. Astronomers at Southwest Texas State University in San Marcos calculated that the star is Venus, which was bright in the evening sky in June 1890 when Van Goth is believed to have painted the picture.

More or less acquainted with Impressionist and Neo-Impressionist techniques and theories, Van Goth went to Aries to develop these new possibilities.
But within a short time, older ideas on art and work reappeared: ideas such as series on related or contrasting subject matter, which would reflect on the purposes of art.

As his work progressed, he painted a great many Self-portraits. Already in 1884 in Niemen he had worked on a series that was to decorate the dining room of a friend in Eindhoven.

Similarly in Arles, in spring 1888 he arranged his Flowering Orchards into triptychs, began a series of information that found its end in The Rollin Family, and finally, when Gauguin had consented to work and live in Arles side-by-side with Van Gogh, he started to work on the .

Most of his later work is involved with elaborate on or revising its fundamental settings. In the spring of 1889, he painted another, smaller group of orchards.
In an April letter to Theo, he said, "I have 6 studies of spring, two of them large orchards. There is little time because these effects are so short-lived.

The art historian Albert was the first to show that Van Gogh—even in seemingly fantastical compositions like Starry Night—based his work in reality.
The paintings from the Saint-Remy period are often characterized by swirls and spirals.

The patterns of luminosity in these images have been shown to conform to Kolmogorov's statistical model of turbulence.

A Claude glass paintings

A Claude glass (or Black Mirror) is a small mirror, slightly convex in shape, with its surface painted in a dark color.

Bound up like a pocket-book or in a transport case, black mirrors were used by artists, travellers and connoisseurs of landscape painting.

Black Mirrors have the effect of abstracting the subject reflected in it from its surroundings, reducing and simplifying the color and tonal range of scenes and scenery to give them a painterly quality.

They were famously used by artists in England in the late 18th and early 19th centuries as a frame for drawing sketches of picturesque landscapes.
The user would turn his back on the scene to observe the framed view through the painted mirror—in a sort of pre-photographic lens—which added the aesthetic of a subtle gradation of tones.
A Thomas west in his A Guide to the Lakes (1778) explained "The person using it ought always to turn his back to the object that he views. It should be suspended by the upper part of the case…holding it a little to the right or the left and the face screened from the sun."

The Claude glass is named for, a 17th-century landscape painter, whose name in the late 18th century became identical with the picturesque visual.

The Claude glass was supposed to help artists produce works of art similar to those of Claude. Reverend, the inventor of the picturesque ideal, advocated the use of a Claude glass saying, "they give the object of nature a soft, mellow shade like the coloring of that Master".

Black Mirrors were widely used by tourists and amateur artists, who quickly became the targets of satire.

The Davis observed their facing away from the object they wished to paint, commenting: "It is very typical of their attitude to Nature that such a position should be desirable".

About Antonello da Messina

In 1442 Alfonso V of Argon became ruler of Naples, bringing with him a collection of Flemish paintings and setting up a Humanist Academy.

The painter Antonella DA Messina seems to have had access to the King's collection, which may have included the works of Jan van Yuck.

He seems to have been exposed to Flemish painting at a date earlier than the Florentine, to have quickly seen the potential of oils as a medium and then painted in nothing else.

He carried the technique north to Venice with him, where it was soon adopted by Giovanni Bellini’s and became the favored medium of the maritime republic where the art of fresco had never been a great success.

Antonella DA Messina painted mostly small meticulous portraits in glowing colors. But one of his most famous works also demonstrates his superior ability at handling linear perspective and light.

This is the small painting of St. Jerome in His Study, in which the composition is framed by a late Gothic arch, through which is viewed an internal, domestic on one side and minister on the other, in the centre of which the saint sits in a wooden corral surrounded by his possessions while his lion prowls in the shadows on the covered floor.

The way that the light streams in through every door and window casting both natural light and reflected light across the architecture and all the objects would have excited Piero Della Francesca.

His work influenced both Gentile Bellini’s, who did a series of paintings of Miracles of Venice for the Scuola di Santa Croce, and his more famous brother, Giovanni, one of the most significant painters of the High Renaissance in Northern

In Style Of Gothic

During the later 14th century, International Gothic was the style that dominated Tuscan painting.

It can be seen to an extent in the work of Puerto and Ambrogio Lorenzetti which is marked by a formalized cuteness and grace in the figures, and Late Gothic flexibility in the draperies.

The style is fully developed in the works of Simone Martini and Gentile da Fabriano which have elegance and a richness of detail, and an idealized quality not compatible with the starker realities of Giotto's paintings.

In the early 15th century, bridging the gap between International Gothic and the Renaissance are the paintings of Fra Angelica, many of which, being altarpieces in tempera, show the Gothic love of amplification, gold leaf and brilliant color.

It is in his frescoes at his convent of Santa Marco that Fra Angelica shows himself the artistic disciple of Giotto.

These devotional paintings, which adorn the cells and corridors inhabited by the friars, represent episodes from the life of Jesus, many of them being scenes of the Crucifixion.

They are starkly simple, restrained in color and intense in mood as the artist sought to make spiritual revelations a visual reality.

About Famous Oil painting

The paintings are the expressions of artists of all ages. Famous Paintings gives a long lasting remembrance in minds of people.

The artists with their honest effort and imagination power marked the birth and growth of many famous paintings.

These paintings touch the heart of the viewer and leave an indelible impact.

The famous paintings like Mona Lisa, has attracted the millions of hearts. It is popular for its great looks and the mysterious smile of the poser.

These paintings show the insight and insight of the art, and are listed under categories, so that the works of other deserving masters are not lost.

Also, the famous paintings show the characteristics, different thoughts and the creativity of the artist.

These paintings that come from various schools of painting are really remarkable and outstanding. They show the same language of art with high unbridled creativity.

Famous Paintings like "Ajanta murals" had become one of the tourist attractions in the world. The walls of the caves depict the scenes of devotional, ornamental and instructive and immemorial. Moreover, it has brought lot of revenue for the nation.

His usage of watercolors, oils, and acrylics gives a viewer an idea to increase his/her imaginative borders.

Many techniques are used to describe the style of art.

Most of the used technique in the painting is fresco, which is done when the plaster is still wet to make the colors intermingle permanently with the plaster and becomes permanent.


Some of the Famous Paintings are Mona Lisa Painting, The Last Supper Painting, Michelangelo Paintings, Salvador Dali Paintings, Leonardo Da Vinci Paintings, Picasso Paintings, Gogh Paintings, Atlanta Painting, and Ajanta Murals.

These famous paintings are of incredible quality. Even the photographs of these paintings have a realistic look. Some of famous paintings are reproduced as art cards, framing services, and worldwide shipping.

The Intelligence of Chinese Ancient Women’s…

The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures, that represents a continuous, though disrupted, tradition from Antiquity.

Across cultures, and spanning continents and millennium, the history of painting is an ongoing river of creativity, that continues into the 21st century.

Zhou Fang (c. 730-800 CE, Chinese: Wade-Giles Chou Fang) was one of two influential
painters during the mid-Tang dynasty.

He was also known as Zhou Jung Xian and Zhong Lang.

Zhou live in the Tang capital of Changan, which is now modern Xian, during the 8th century.

He came from a noble background and this was reflected in his works, which included translated as Court Ladies Adorning Their Hair with Flowers.

He was influenced by the pure and detailed style of Gu Kai-zhi and Lu tan-wei from the Six dynasty in his work.

The late Tang dynasty art critic Zhu Jing Xuan said: "Zhou Fang's Buddha, celestial beings, figures, and paintings of beautiful women are all incredible masterpieces.").

In this Paintings shows :The Intelligence of Ancient Women’s…

ABOUT OIL PAINTINGS

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• Oil paint is a type of slow-drying paint that consists of particle of pigment suspended in a
• Drying oil, commonly linseed oil.
• The thickness of the paint may be customized by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried film.
• Oil paints have been used in Europe since the 12th century for simple ornamentation, but were not widely adopted as an creative medium until the early 15th century.
• Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges.
• Its hard-wearing properties and brilliant colors make it desirable for both interior and exterior use on wood and metal.
• Due to its slow-drying properties, it has recently been used in paint-on-glass animation.
• Thickness of coat has considerable manner on time required for drying: thin coats of oil paint dry relatively quickly.

Beautiful oil painting of 16th century

• 

• Raphael, “Woman with a veil (La Donna Velata)”, painted 1516. Size: 82 by 61 cm (32 by 24 inches). Galleria Palatina, Florence, Italy.
• La velata, or La donna velata ("The woman with the veil"), is one of the most famous portraits by the Italian Renaissance painter Raphael.
• Portrait of a Woman - La Velata, 1516, oil on panel transposed on canvas, 85x64 cm, Galleria Palatina, Palazzo Pitti, Firenze.
• With this masterpiece (La Velata), Raphael achieves the peak of the "portrait of woman" of all the times.
• The artist realize a very wealthy, flowing and dynamic pictorial development and also an fluent gesture expression and a subjective composition - that gives the model an strong spirit along with a burning vitality.
• A series of paintings and drawings are put together to rejoice the work of one of the greatest artists in the Italian Renaissance: Raphael.
• The subject of the painting appears in another portrait, La Fornarina, and is traditionally identified as the foramina (bakers) Marguerite Luti, Raphael's Roman mistress.
• The opportunity is hence given to exemplify, through the portraits, the stylistic evolution of the work of Raphael, in which not only the formal, but also the symbolic and expressive pictorial possibilities are constantly explored in the ideal of an aesthetic and spiritual perfection.
• The work of Raphael realizes one of the most extraordinary parables of the Western art.
• This unique collection of twelve paintings and eight drawings of Raphael show how the painter breathed the grace and the humanism of the rebirth into his portraits.

Highly fashioned, elegant Victorian Art

When most people think of the Victorian era, high fashion, gilded age, rich with elegance, splendor, and romance, strict manners, and rich or eclectic decorating styles come to mind - but it was so much more than that. Victorian era covers Classicism, Neoclassicism, Romanticism, Impressionism, and Post-Impressionism.

Paintings of the Romantic school were focused on spontaneous expression of emotion over reason and often depicted dramatic events in brilliant color.

Impressionism, a school of painting that developed in the late 19th century, was characterized by transitory visual expressions that focused on the changing effects of light and color.

Post-Impressionism was developed as a response to the limitations of Impressionism.

Victorian art was shown in the full range of creative developments, from the development of photography to the application of new technologies in architecture.

Victoria from 1837 to 1901. British Empire became the most powerful, and England the most modern, and wealthy country in the World.

The faith that science and its objective methods could solve all human problems was not novel.

The idea of human progress had been gradually maturing. The world was truly progressing at break-neck speed, with new inventions, ideas, and advancements - scientific, literary, and social - developing.

Prosperity brought a large number of art consumers, with money to spend on art.

Classicism, with the accurate and apparently objective description of the ordinary, observable world, was specially viewed as the opposite of Romanticism.

TIps to Buy Oil Paints for Canvas Painting

Buying oil paint is much like buying a car, it means you get what you pay for. Usually, the more expensive the paint, the better quality it is.

Things You'll Need: Artist Palettes, Artist's Canvases, Oil Paint Set, Oil Paintbrushes, Palette Knives, Palette Trays, Clean Rags, Easels, Smocks, Turpentine, Clean Rags, Linseed Oils.

• Choose a palette of colors you'll use. This will differ depending on what you'll be painting - a landscape, a figure/portrait and so on.
• Include on your list a good range for a beginner: cadmium yellow medium, cerulean blue, ultramarine blue, alizarin crimson, burnt umber, cadmium red medium, lamp black and white.
• Decide which of the 2 different types of oil paint you'll get: ones made with pure pigment and binder or ones made with artificial pigment and binder. Artificial paints are suitable for beginning painters and for people who don't need to have their work last permanently.
• Opt for pure pigment paints for college-level artwork and professional fine art. These paints will hold their colors when mixed with other colors and will not fade.
• Buy oil paints online or at art and craft stores. Look for the pure colors behind the counter or locked behind glass.
• Purchase turpentine to clean your brushes and to thin your paint.

Acrylic Painting Tips

Acrylic Painting is the preferred medium of painting of the 21st century. It’s not only a user-friendly medium, but is extremely durable too, and you too can try your hand at this wonderful medium. Follow these Acrylic Painting Tips to make your acrylic experience a pleasant and satisfactory one.

• The first thing to know about acrylic paints is the fact that they dry very quick. So squeeze out only that much amount that you will need and always remember to recap the tube.
• Never use soggy brushes as they end up making blotches.
• Always wipe your brush dry.
• Use the color directly from the tube or use very little water,iIf you want to get the opaque effect.
• Dilute the paint in water, Iif you want to get the translucent effect.
• Remember to blend your colors fast because acrylic paint tends to dry very fast.
• Use masking tape to remove unwanted layers of paint.
• Moisten the paper to increase your painting time.
• It’s important to enjoy what you are doing, remember to have FUN with your colors.

Few tips on oil painting

Different artists make use of different Oil Painting Techniques; yet, they essentially have to go through certain steps. A learner should be conscious of these steps to comprehend the technique of the painting. The most essential step is to prepare the surface; the most frequently used surface is canvas.

The canvas is coated with glue and pigments, and then the artist draws the outline of the Painting, and then he applies pigments mixed with oils for color. Most artists paint in layers: painting in layers helps in perfecting the little details of the composition and also attaining the right colors. When the image is finished and dried for up to a year, an artist often seals the work with a layer of varnish.

Here are a few other technical tips, which will help you with Oil Paintings:

• Lay out the colors on the palette systematically so that you can access them easily when you need them.
• With each layer, increase the proportion of oil in the paint. If the upper layers dried out faster than the lower ones, they can crack.
• Avoid using the color ivory black because it takes a more time to dry.
• Try using pigments containing cobalt, lead and manganese, they speed up drying.
• Avoid drying your oil paintings in the dark as it yellows, if you dry it in the dark.
• Use alcohol to clean away a layer of oil paint or oil varnish, it is a powerful solvent.

Two funny fairy friends painting

These are two funny fairy friends execution out and having tea together. They would appear lovely in any room particularly a little girls room.

The unique artwork is a pen and ink and collection. This is an archival art print of the innovative collage. This color and feature in this print is very factual to the original. I make use of Epson inks and it is printed on Presentation Paper art paper.

Paper size 8.5 x 11
Artwork actual size: Approx 6.5" x 7"

Effort of the monks painting

The painting beautifully show the eternal effort of the monks to keep walking in the face of all difficulty, with the solitary umbrella offering shade and relief to but one or two at any agreed time. The monks are in the optimistic shades of ochre depicting fire, sun, life, energy. On a macro step then, the painting inspires us not to offer up in the face of challenges. The colors give out hope and cheer, mocking at the grey basics of dismay, pessimism, and negativity. Clearly suggestive of that life is a wonderful journey, no doubt, along a rough road, where one has to keep walking with interval from the heat of life, with the help of the optimistic elements of human nature depicted by the umbrella.

The painting as well depicts, the posture of thought called, walking meditation in which the monks pay detailed notice to the movement of the foot, the intention of walking. Walking meditation is positive to spiritual development.

How to come close to an Art Gallery with Your Paintings

You've reached the phase in your growth as an artist that you've a body of work, have started thinking acutely about selling your paintings, and see the next step as receiving your paintings into an art gallery. So, how do you go on being represented in an art gallery? The tips and suggestion here have been gathered from a number of discussions on the Painting meeting about approaching an art gallery.

Is being represented by a gallery a good thing as far as contact and recognition go, and is it worth the limitations? I’m selling attractive well on my own already.

Putting your effort in a gallery is definitely a way to get familiar and build relationships with people; however, there are limitations and other ways to get recognized. You could demonstrate your work in a gallery for a short while and then show in a different gallery.

Perfect Ceramic pottery flowers thumb

Vladimir set approved and perfect the practice of the 18th century European trompe l’oeil, meaning “natural world in artifice” custom. Dishwares are evocative of giant cabbage leaves, sunflowers and lettuce foliage. Teapots, sugar bowls and vases are in the shape of melons, pumpkins and lemons. Moreover tableware, Vladimir set produces metal and porcelain flowers in sensible style. All flower and foliage are naturalistically painted and each terracotta pot is planned and handmade. All collections are handmade in New York and sign by Vladimir Kanevsky, an artist, stylish and craftsman who has been perfect the art of ceramic inspired by nature for approximately two decades.

Not only Vladimir Kanevsky is a great master of ceramic craft, he is also a very talented sculptor. He is inspired by human body - naked, private and susceptible. Vladimir explores human situation, feelings and the search of self.