Turner's talent was recognized early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterized by a chromatic palette and broadly applied atmospheric washes of paint.
For example, Chic ester canal’s is one the best art making paintings in the world.
Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840).
Turner's major venture into printmaking was the Libber Studio rum (Book of Studies), a set of seventy prints that the artist worked on from 1806 to 1819. The Libber Studio rum was an expression of his intentions for landscape art.
Loosely based on Claude Lorrain's Libber Veritatis (Book of Truth), the plates were meant to be widely disseminated, and categorized the genre into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral.
His printmaking was a major part of his output, and a whole museum is devoted to it, the Turner Museum in Sarasota, Florida, founded in 1974 by Douglass Montrose-Graeme to house his collection of Turner prints.
Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand, but its susceptibility and vulgarity amid the 'sublime' nature of the world on the other hand.
'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God–a theme that artists and poets were exploring in this period.
The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.
Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena.
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