Friday, February 4, 2011

About Portrait Paintings


Portrait painting is a variety of painting, where the intent is to depict the visual appearance of the subject. Beside human beings, animals, pets and even inanimate objects can be chosen as the subject for a portrait. In addition to portrait painting, portraits can also be made in other media such as marble, bronze, ivory, wood, ceramic, etching, lithography, and photography, even video and digital media.

The term 'portrait painting' can also explain the actual painted portrait. Portraitists create their work by commission, for public and private persons, or are inspired by admiration or affection for the subject. Portraits are often important state and family records, as well as remembrances. If an artist portrays him- or herself, the result is called a self-portrait.
Portrait painting can depict the subject 'full length', 'half length', 'head and shoulders', or ‘head’, as well as in profile, "three-quarter view", or "full face", with varying directions of light and shadow.

Occasionally, artists have created portraits with multiple views, as with Sir Anthony van Dyck's  Triple Portrait of Charles I. There are even a few portraits where the front of the subject is not visible at all. Andrew Wyeth's Christina's World (1948) is a famous example, where the pose of the crippled girl with her back turned to the viewer integrates with the setting in which she is placed to convey the artist's interpretation.

Among the other possible variables, the subject can be clothed or nude; indoors or out; standing, seated, reclining; even horse-mounted. Portrait paintings can be of individuals, couples, parents and children, families, or collegial groups.

They can be created in various media including oils, watercolor, pen and ink, pencil, charcoal, pastel, and mixed media. Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoir's On the Terrace (1881) or restrict themselves to mostly white or black, as with Gilbert Stuart's Portrait of George Washington (1796).

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