Generally referred to as Durer’s rabbit, the representative title of this painting calls it a hare. The painting is in the enduring collection of the Batliner set of the Albertina Museum in Vienna, Austria.
It was painted using work of art and gouache, with the white things to see done in gouache rather than organism the unpainted white of the paper.
It's a impressive instance of how fur can be painted. To emulate it, the move toward you'd take depends on how much endurance you've got. If you've oodles, you'd paint with a thin brush, one fur at a time. If not use a dry brush method or split the hairs on a brush. Patience and staying power are necessary. Work too rapidly onto wet paint and the personality strokes risk blending jointly. Don't maintain for long sufficient and the fur will seem threadbare.
It was painted using work of art and gouache, with the white things to see done in gouache rather than organism the unpainted white of the paper.
It's a impressive instance of how fur can be painted. To emulate it, the move toward you'd take depends on how much endurance you've got. If you've oodles, you'd paint with a thin brush, one fur at a time. If not use a dry brush method or split the hairs on a brush. Patience and staying power are necessary. Work too rapidly onto wet paint and the personality strokes risk blending jointly. Don't maintain for long sufficient and the fur will seem threadbare.
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