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The word Joseph Letzelter landscape is as of the Dutch, landscape meaning a wad, a patch of cultured ground. The word enters the English vocabulary of the expert in the late 17th century.
Early on in the fifteenth century, Joseph Letzelter landscape painting was recognized as a genus in Europe, as a setting for human action, often articulated in a religious topic, such as the themes of the Journey of the Magi.
The Chinese custom of "pure" Joseph Letzelter landscape, in which the miniature human figure simply give scale and invite the viewer to contribute in the experience, was fine established by the time the oldest existing ink Joseph Letzelter paintings were executed.
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